Art

Art, Virtual Reality

Tilt Brush Butterfly Metamorphosis

When I had the very honoring opportunity to join Tilt Brush for their Artist in Residence program, I knew I had to make something different, and that this would be one of my biggest VR pieces yet.

Designing My Problem:

  • I had to design something within Tilt Brush.
  • I wanted to create something that other people weren't doing.
  • I wanted to create a piece that utilizes the Tilt Brush playback feature.
  • I wanted to create a meaningful piece that was more than just a pretty picture; I wanted people to experience both the technology and something magical. It should be something anyone can view and understand. It needed to touch the hearts of the viewer.

Searching and Working Towards My Solution:

  • Everyone making pieces in Tilt Brush were making really jawdropping finished pieces. The finished pieces were the main focus of the art. I needed to do something different. I needed to create a piece that focused on the PROCESS rather than the finish. That is, the process and growth of the piece needed to be much more interesting than just viewing it as one static image.
  • It needed to be a narrative in some way. It didn't need to be a crazy complex thing. It just needed to show something GROW. Like a normal storytelling narrative, it needed a beginning, a middle, an end. Super basic, super fundamental for anyone to understand. No learning or backstory necessary.
  • It needed to feel like the piece was appearing out of thin air, it needed to be MAGIC. So I planned it out, the painting process / choreography. It needed to be seamless. It needed to LOOK effortless. It's like hiding the strings to a magic trick — I had to conceal my secret for how I did it. People WANT to believe in magic. People WANT to be dazzled and amazed. So I played on this.
  • Lastly, it needed a personal message. As an illustrator/image maker, I know the best ones are when I draw from my own experience. I went thru a lot of reformative changes in the last few years, a LOT of letting go, a LOT of reshaping. Yes seeing a butterfly emerge is cool to see, but it needed the personal touch to really wrap it all together to show the PURPOSE of the piece. This is the part that touches people's heart. It's not just another pretty painting — there is MEANING behind the content, the process, the message that makes it ALL beautiful in one cohesive piece.
  • The butterfly metamorphosis was the best process that fit ALL of these. It's simple. Everyone knows it. Everyone has gone thru changes, or they will at some point.

How Did I Paint It?

  • I spent several days planning out the composition, the look and feel, and how I would paint it all in order. I can't understate the amount of planning necessary.
  • A few trial runs followed.
  • Then one go at the final piece!
  • The Tilt Brush playback feature shows every stroke in the order of how you paint the piece. I had to paint each phase step by step — this was indeed a narrative and performative piece!

More:

My piece is also featured in the Tilt Brush showcase (in the app) and on the Tilt Brush Artist in Residence page.

You can read more about the Tilt Brush AiR program's inception here in this NYT article.

Art, Design School

Student Leadership Award Speech

Our system has encountered an error. This exception has been automatically logged and reported. EKMZBD9HGALSJ6WJFP3D

During my graduating term at Art Center College of Design, I was awarded the Student Leadership Award. Thank you, students, faculty, and staff! Which... also means I had to give a speech at my graduation. OY! This was one of my proudest moments, but also sooo nerve-racking.

I evidently made a mistake and said I was 25 when I started Art Center. I was 28. -_-. Thank you, Ray Quirolgico, for the lovely intro. Miss you lots. :)

Art, Design School, Living Life

Re-emerging from a four year hermit hole

Hello, World! My, oh, my. Attending Art Center was no easy feat. Since I found out I got admitted to the college in early 2012, I made a conscious decision to cut out a lot of things in order to fully commit and focus on my intense new program.

A lot happened, and I ended up cutting out a lot of things I never anticipated to. I guess that's what happens when you go into a rigorous grad-esque program. But I'm grateful to say that I came out with a better idea of who I am, my intentions in life, and how I want to continue on with the rest of my life.

I know. Total esoteric shit.

I matured a lot in a short amount of time. And I became very familiar with my creative self and her process. You learn a lot about your raw self when you can only get four hours of sleep every night. ;)

As I was left the web design/development world in late 2011, a lot of things have naturally progressed in the web world. Not to mention all the new technologies that have emerged since then, too. I find myself behind in learning things like git, javascript, SVG, and oh wut ppl don't use Wordpress as much anymore? I am an absolute dinosaur now.

But!! I've picked up some amazing new skills along the way, I swear!

  • I'm frickin bomb at drawing and painting by hand now!
  • I frequently create sketchbooks and prints!
  • One of my pieces was published in Comic-con International's publication!
  • I've learned how to sell my artwork at conventions and shows!
  • I've been trained by top Disney art directors and artists, and I can whip out concept art pieces for entertainment!
  • My school awarded me the Student Leadership Award (they just wanted me to stop asking questions, get outta their hair, or something). More about this soon. :)
  • I managed to setup and showcase one of my pieces in virtual reality (VR) at my graduating show. (Second person from my school to ever do so, following the exceptional Ashley Pinnick; First person to do so with an HTC Vive!)

There's a lot to catch up on. And part of my un-hermit-ing will include documenting and sharing more about my process again.

Art, Design School, Readings

How I Study as an Artist

It's funny the comments you get when people catch you drawing in public. Almost always, someone will say something along the lines of, "Wow! So much talent. I wish I could do that." It reminds me of a conversation I had with my pre-med college roommate that has stuck with me. She said, "People say I'm smart. Like it's natural, like I was born with it. But they don't realize how hard I work, how much time I spend studying. I just work _really_ hard." I think this gets lost often when people see artists doing their thang. There's a lot of work that goes on behind the scenes in order to cultivate and nurture our technical skills and creativity, a lot of observation, and discipline.

Here are some of the ways I've been studying:

• Mastercopies. Copying the sketches and drawings of artists I like and admire. This is an incredibly effective way to learn how the artist approached their piece, their technique, and how they problem-solved within their piece. I've been trying to do mastercopies everyday.

• Film studies. Freeze-framing animated and live action movies to break down the compositions, lighting, how the focal point is emphasized. Working with a black marker to break the frame down into simply blocked out shapes is a good way to learn about layout designs and compositions, too.

• Learning about LIFE things. I listen to Radiolab episodes while working, I've been reading about neuropsychology, learning about social-psychology theories, branching out into other worlds of interests lately. I've been reading a LOT, more than I ever have. Also, I've been trying to watch one classic film a week so I just have that cultural knowledge. I'm making more of an effort to go out and experience new places and things when possible. Creativity does not exist in a vacuum.

Mucha sketch studies. Super soft lines! Ahh!
Mucha sketch studies. Super soft lines! Ahh!
Norm Schureman, former Dynamic Sketching instructor at Art Center. Copying this book has been golden.
Norm Schureman, former Dynamic Sketching instructor at Art Center. Copying this book has been golden.
Chris Sanders for anatomically correct stylized female figures. Very fun to draw.
Chris Sanders for anatomically correct stylized female figures. Very fun to draw.
50's type and design element studies. Copying out of some books to get the feel for the 50's designs for an assignment I'm working on.
50's type and design element studies. Copying out of some books to get the feel for the 50's designs for an assignment I'm working on.
Sleeping Beauty value breakdowns
Sleeping Beauty value breakdowns
Some books I've been reading at the moment.
Some books I've been reading at the moment.
My growing bookshelf! Doesn't include all my undergrad soc books that are all up North. This is just my more recent collection, which mostly developed in the last 6 months. Trying my best to get thru them!
My growing bookshelf! Doesn't include all my undergrad soc books that are all up North. This is just my more recent collection, which mostly developed in the last 6 months. Trying my best to get thru them!